C O N T R IB U T O R S
Iain Aitch (Material Culture,
p. 32), a London writer and
author of
JVe 're British, Innit,
washed his hands thoroughly
after filing his story.
Jody Clowes (Hunting &
Gathering, p. 64) is a curator and
writer. “I love how Jennifer
Angus’s work has taken her in
unexpected directions.”
Gabriel Craig (“Studio on the
Street,” p. 40), a metalsmith
and writer, says that if
k is s
can
wear make-up and high heels,
men can wear brooches.
Brady Fontenot (The Wide
World of Craft, p. 74) is a New
Orleans photographer who has
shot for
The New Tnrk Times
Magazine
and other publications.
“Arden Stewart is the raddest
little lady in New Orleans. Her
house is an amazing example
of the city’s architecture.”
Jack Kotz (Shop Talk, p. 20),
a Santa Fe-based photographer,
has worked in the industry for
25 years. “This is the second
time I’ve photographed TAI
Gallery, and I never cease to be
amazed by what I see there.”
Tatsuro Nishimura (“Studio
on the Street,” p. 40) is an
award-winning photographer
based in New Jersey and New
York. “ Gabriel Craig’s rings
have amazing texture and feel-
ing. They each tell a story.”
Thomas Piche Jr. (Reviewed,
“50/50 Nancy Jurs,” p. 36) is
director of Daunt Museum of
Contemporary Art. “As an
alumnus of Everson Museum,
I’m gratified to see its architec-
ture engaged in thoughtful con-
versation with Jurs’s ceramics.”
Mija Riedel (“Constructing the
Unexpected,” p. 54), a San
Francisco writer, says “I was
interested in Gyongy Laky’s
working process as a generator
of ideas and insights.”
Erik Scollon (Reviewed, “Irrev-
erent: Contemporary Nordic
Craft Art,” p. 38), an artist and
writer in Oakland, California,
notes “that arts venues are again
interested in how craft contrib-
utes to visual culture.”
David Sokol (Outskirts, p. 34)
writes for
Architectural Record
and other publications from
Beacon, New York. “Even if
a person doesn’t cotton to wwi-
a f m ’ s
aesthetic, the desire
for camaraderie that originally
spawned the group is univer-
sally relatable.”
Sonya Stinson (The Wide
World of Craft, p. 74) is a writ-
er in New Orleans. “What
connects our arts community
is that they find their muse in
a deep affection for the culture.”
James Visser (Hunting & Gath-
ering, p. 64), a St. Louis free-
lancer, enjoyed photographing
Jennifer Angus installing her
insects. “Art at its best teaches
us new things. Who knew bugs
could be so beautiful?”
Anna W olf (“Urban Fabric,”
p. 46), is a Brooklyn photogra-
pher. “I was struck by Kathryn
Pannepacker’s commitment
to the communities where she
made her work.”
Mimi Zeiger (“Urban Fabric,”
p. 46), a Brooklyn writer, is the
author of
Tiny Houses.
“Driving
around Philly with Kathryn
Pannepacker was not only a trip
through places she’d lived, but
a a viewing of her murals, some-
times on blocks where they
were the only bit of cheer.” +
Custom colors & sizes also available.
For show dates, gallery locations and installation ideas: www.myraburg.com.
Or- Call us. We're very friendly: 310 399 504-0
MYRA BURG
QUIET OBOES
TEL: 310.399.5040
www.myraburg.com
